Where are the agents? Right here.

I think I will start compiling the “List of Eternal Voiceover Questions.” It will include:

• Mac or PC?
• Pro Tools or Audacity/Audition/anything else?
• Should I have an agent?

The first two are entirely up to the end user: they clearly become near religious level arguments when left to the masses. The third also generates a lot of churn, and in the last week I have seen a few discussions about the merits of having an agent.

To each their own, is my opinion, but the fact is you should not shut out any path to work, including agents. I think Peter O’Connell said it best in  response to a blog post we both commented on:

…this is still an industry where it is helpful to have a qualified agent out there on your side. Not only do they set up auditions and jobs, but if its the right agent, you’ll have a professional sounding board for issues that come up in your business.

To that end, I suggest you take a look at the annual “Voiceover Guide to Casting and Talent Agents” produced by Marc Graue Voiceover Recording Studio. This guide separates casting directors from agents across the United States and Canada. If you are looking for representation, this guide can be invaluable.

You can use it in a couple of ways, but if you have a scanner or multifunction printer/scanner/fax handy, I would look into one of any number of OCR (optical character recognition) packages that can help you scan the results into your computer and get it imported into your contact database. You may even have one that came with the device.  This way you can track your contacts in a systematic way.

Remember, just getting the guide won’t automatically result in getting representation. And as it has been pointed out before, getting rejected by an agent isn’t the end of the world. But you have to start somewhere, and this is a good place to start.